The Purpose of Christmas from Stephen Sizer on Vimeo.

Trains were humming, loudspeakers blaring, porters rushing about shouting at one another, and altogether there was so much noise that Mr Brown, who saw him first, had to tell his wife several times before she understood. ‘A bear? On Paddington station?’ Mrs Brown looked at her husband in amazement. ‘Don’t be silly, Henry. There can’t be!” “Seeing that something was expected of it the bear stood up and politely raised its hat, revealing two black ears. ‘Good afternoon,’ it said, in a small clear voice … The bear puffed out its chest. ‘I’m a very rare sort of bear,’ he replied importantly. ‘There aren’t many of us left where I come from.’ ‘And where is that?’ asked Mrs Brown. The bear looked round carefully before replying. ‘Darkest Peru. I’m not really supposed to be here at all. I’m a stowaway.'”[1]

Michael Bond’s marmalade sandwich-loving Peruvian bear first appeared in 1958’s A Bear Called Paddington. Now the star of his very own film, Paddington, is a charming and funny adventure about a very polite and friendly orphan bear who yearns for adoption and new home in London.

At the Carol Services, we realised that we are all a little like Paddington, orphaned, lost, vulnerable, in need of adoption. But tonight, because the children should all be fast asleep by now, I want us to consider “Paddington Bear for Grownups”. Michael Bond, Paddington’s creator, says the inspiration came from seeing Jewish evacuee children pass through Reading railway station from London during the Kindertransport of the late 1930s. “They all had a label round their neck with their name and address on, and a little case or package containing all their treasured possessions. So Paddington, in a sense, was a refugee, and I do think that there’s no sadder sight than refugees.”[2]

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